A photographer’s journey – James M. Barrett

500px, Google+, Flickr, Twitter, Facebook. We’re bombarded by images daily, many of which are superb. Often their creators are not trained or even experienced photographers.

Many of them have done – or still do – something completely different for a living. Others do follow a more traditional path and work as freelance or agency photographers. Some  have switched from one style of photography to another over the years. Looking at all those images I’ve been asking myself how people get to where they are now.

And I’ve decided to resurrect my tradition of posting mini-interviews with interesting photographers – but this time on video.

For the past few weeks I’ve been asking some London-based photographers about their work, their inspiration – but most importantly, about their journeys. How did they get where they are today? How did they work on their style? Was it a conscious choice or, like many things in life, a happy (or perhaps a more dramatic) coincidence?

The people I’ve asked are my personal choices, photographers I’ve been watching or admiring for a while for various reasons.

The first photographer featured in my new miniseries called “A photographer’s journey” is James M. Barrett. I met James during a monthly photography meet-up in south London and was mesmerised by his unique, very harsh, but also captivating portraits of men of various ages. It turned out that James was not only a photographer, but also an artist and his love for such “ugly beautiful” portraits stems from his knowledge of and love for old paintings.

James invited me to his studio to record his story and film him taking portraits of two very different ‘models’: writer, Rupert Smith, and DJ, Wes Baggaley. It was a privilege to film James and learn his story. I’m hoping that stories like his will help others appreciate what they are doing and encourage them to explore their talents more.

So here is my first photographer’s journey. And if you’d like to be featured or know someone who would be an interesting subject for the series, do let me know. Next month’s journey features Paul Clarke.

Additional thanks to Lawrence Lang for help with this video.

 

Posted in inspiration, photographers, video Tagged , , |

6 Facebook alternatives for photographers

If, like me, you never publish your pictures on Facebook, or you simply want to make your photography more social using other platforms, this post is for you.

This is part of a presentation I made on social tools for photographers during my monthly photographers group meet-up, where I focused on several alternatives to Facebook. The presentation assumed a minimal or no knowledge of these tools, hence the basics.

If you interact with many photographers on Google+ or Tumblr, you’ll be forgiven for thinking everyone knows these tools. In reality, many photographers actually don’t venture out of their safe Facebook zone or post their images outside their portfolios.

There are virtually endless possibilities, platforms, apps and networks a photographer can use. But who has the time to update – in a meaningful, i.e. engaging and not automated, way – twenty or so different networks?

So before you choose a site, app or platform for your photography, answer the following questions to help you decide which networks would work best for you:

- Who is your intended audience? Your peers? Prospective clients? Future models? Or maybe just family and friends? What do they expect? Where are they likely to spend more time?

Establish your goals – who do you want/need to reach? What or who do you want to promote: yourself, your services or just your images? Are you more about showing off or educating? Or do you just want a simple portfolio? If so, do you want just the images, or do you want to have a blog and a space to sell your images too?

- Are you able to devote a chunk of your time – daily – to manage all this and be social? The old cliche – “It’s called social for a reason” – still applies. If you don’t manage your presence, joining so many networks is pointless. Also, if you don’t engage – talk to people, post comments, reply to others, promote and reshare – you’ll become one of many dull, link-spewing bots. There are already too many of them.

Also, always – always – read the Terms of Service for each site. It’s important. Be aware, but don’t get paranoid about the details.

I need to stress that the following networks, sites and apps have been chosen for two reasons: their popularity and my experience with them. This is a subjective choice, I admit, and if you’re a seasoned social networker your mileage may vary. But for most photographers considering their first steps in the social media maze, this should be a good starting point.

Also, while some of the sites below may be and are often used to create a portfolio, I’ve assumed you already have one central place for your photography and you are using Facebook and/or other sites to promote it.

500px (500px.com)

Launched in 2011 and quickly became popular among high-profile and high-quality photographers. Great portfolio tool. Not really a place for your holiday snaps – creativity, quality and originality are rewarded. (Read my interview with one of the co-founders here.)

Pros:
- Focus on large, high-quality images.
- Can be used as a gallery, portfolio, blog or a combination of all of them.
- Can link to your own domain.
- Works with Lightroom through a plug-in; also a very good iPad app.

Cons:
- Unlike many sites, it allows users to ‘dislike’ a picture. Many see this as a redundant feature for trolls.
- Allows image embeds, which has proved controversial.
- The “Awesome” version ($50/year) doesn’t really offer that much more.

PINTEREST (pinterest.com)

One to watch: an emerging platform, barely a few months old,  which serves as an online pinboard (or to be more precise, a collection of themed pinboards, where you decide how many pinboards you want and what to share on them). Initially perceived as very heavily female-biased, but as it’s focused on specific interests and can be very granular, many people, including photographers, discover its benefits already.

Pros:
- Image-led, very little text, very easy to use.
- You can create separate albums (boards) for various types of stuff.
- Other users can ‘like’ or repin your posts, ultimately driving traffic to your site/images.
- An iPhone app.

Cons:
- Currently cute pets, crafts and fashion do really well. This is likely to change as the platform expands. Persist.
- There’s a lot of content duplication in the general stream, which creates a lot of noise and clutter – can be off-putting at times.
- Potentially bad for image theft, but probably not worse than Tumblr.
- Very new and experiencing some teething problems.

GOOGLE+ (plus.google.com)

A social networking site by Google, which combines elements of Facebook and Twitter. Quickly adopted by photographers, including some high profile names. Very robust galleries, sharing and permission management.

Pros:
- You can create and share ‘circles’ of contacts – good for growing your audience and ‘selective broadcast’.
- While many people don’t want to make the switch to G+ (“I don’t know anyone there!” *sigh*), the photo community on there is very active.
- Great galleries, you can share/comment on whole galleries or individual images. The gallery/lightbox interface offers a much better photo experience than Facebook.
- Easy to control permissions and make them as wide or as narrow as you want.
- Integrates with Picasa and can potentially be used a a free, unlimited backup/storage solution (image size restrictions apply); also comes with a basic retouching tool.
- Lightroom plug-in for Picasa; iPhone/iPad apps.
- Google intergrates G+ more with search, your images are likely to surface in search results in the future.

Cons:
- Unlike on Flickr, you can’t add one picture to several albums, you need to make copies, which is a bit messy and means you can’t have all comments for the same image in one place.
- Google continues to integrate G+ with other services – which may be annoying for some.
- Take-up among ‘ordinary’ users is still low.

TUMBLR (tumblr.com)

A micro-blogging platform that makes it easy to share content and follow people. It combines blog functionality with Twitter-like stream of updates.

Pros:
- Really simple to set up and manage.
- Can be customised easily, there is a wide selection of free and paid-for templates.
- It has some advanced functionality too, but even in its basic form it’s more than enough for most.
- Hugely popular, easy to reach a large audience – and most people on it reshare rather than create.
- A powerful mobile app allows users to post on the go.

Cons:
- A lot of images get shared without credits or links – often it’s unintentional (people may drop the original credit while re-sharing), but may be an issue if you don’t watermark images but want to be recognised as the original creator.
- Can be really spammy.
- Audience largely used to quick fixes, looking for easily-shareable, ‘cool’ stuff.
- Not ideal if you want to grow your site and have some flexibility (see WordPress below).

POSTEROUS (posterous.com)

Another micro-blogging platform, like Tumblr, it’s very easy to set up and use. So easy in fact that you can start blogging by simply sending your first post by email to post@posterous.com.

Pros:
- Very simple to use – you can post by email and/or online; you can easily import an existing site from elsewhere.
- Emailing several images at once automatically creates galleries.
- Easy customisation, you can set up multiple blogs.
- Daily digest email sent to subscribers.

Cons:
- Tumblr has probably a bigger audience.
- Not powerful enough if you ant to add e-commerce or have more advanced features.

Both Tumblr and Posterous lack the commerce tools or robustness of platforms like WordPress (see below).

WORDPRESS (wordpress.org if you want to host and manage it yourself or wordpress.com if you don’t)

The ultimate blogging platform. Can easily be expanded to go beyond blogging – it’s a content management system, which allows you to build everything – from blogs and portfolios to e-commerce sites. You can  manage forums, create robust portfolios with or without blogs etc.

Pros:
- Expandable, with a huge choice of free and paid-for templates.
- Versatile and suitable for almost all needs.
- Can be self-installed and hosted if you’d prefer to install it on your own domain (wordpress.org has all the files and support) or you can use the managed version (wordpress.com).
- Integrates easily with other social networking sites/tools.

Cons:
- If you want to host your site using WordPress, you need to have a domain and pay for hosting.
- The managed version (wordpress.com) is limited in terms of its flexibility compared to the self-hosted version.

*****

AND THE REST

Flickr - the ‘original’ photo-sharing site, a bit stale and with limited functionality compared to many newer platforms. But the Flickr community is active and the library is gigantic. Owners, Yahoo!, promised to invest in new features in 2012.

Ephotozine – one of the oldest photo communities (active since 2001) online, still doing relatively well. The usual features are all here: portfolio, photo critiques, forums. It’s UK-based and seems to have a loyal, if moderately-sized, fanbase.

Twitter – great for building an audience and following people you *want* to know, rather than those you *do* know. Good for posting links to own images elsewhere, but stay away from third-party image apps.

InstaGram – a smartphone app which most people use to grab mobile images, tweak them and share with their followers. A lot of users however upload their DSLR images to Instagram and – while annoying many IG ‘purists’ (including me) – get another outlet for their photography.

Have I missed any obvious sites or apps? Let me know in the comments below.

Posted in advice, photography, social media Tagged , , , , , , , , , |

A quick trip back to Sorrento

A few months ago I posted a handful of images of a bunch of Sorrento pensioners playing cards and having fun. At the same time, I started putting a short video together – or rather an audio slideshow – featuring the same images, but with some music.

Fast forward four months – and voila! I eventually dusted that long-forgotten project off and here is the outcome: a short video called “People of Sorrento”.

Apart from the chirpy pensioners playing cards, I’ve also included several of my favourite shots of the omnipresent Italian scooters and (possibly even more importantly), their drivers.

I mentioned both the card players and the scooters in my previous posts, so I won’t elaborate on that now.

If southern Italy is your thing, or perhaps if you are into black and white street photography, or if you simply have a couple of minutes to spare, here is – four months later than planned – my Italian video.

And now I officially declare that trip archived forever.

Posted in photojournalism, video Tagged , , , , |

Vimeo relaunches with new features

Vimeo, the video-sharing site that’s not YouTube, revealed a new look today and a whole list of new features and updates.

The first thing you notice is that all videos are now big and looking lovely. It’s like switching from Flickr to 500px, if you know what I mean. I like it.

In a move slightly resembling the recent YouTube relaunch, Vimeo now displays a stream of the latest videos from your contacts and groups on your landing page. It’s called My Feed. Right next to it is a new Activity tab, which will remind you what you’ve done, watched or liked recently – or what your contacts have. But I particularly like the new Discover tab, which I’ll be visiting often to see what others have created. Discovering new – curated or otherwise recommended – videos on the site has always been my favourite activity as as a viewer on Vimeo, so I’m glad this option has been made a bit more prominent.

Prolific uploaders will be pleased to know Vimeo now supports multiple file uploads, which in theory means you should be able to add several files to your upload queue simultaneously. I haven’t tested the feature yet, so the most important question still remains open: has the upload speed improved too? Last time I uploaded something it was painfully slow and I guess my broadband provider was only partly to blame. But the video below seems to suggest the process should be less painful now.

There are also new options for those who prefer to download rather than upload. As you may know, Vimeo creates several versions of the file you upload (including ones optimised for mobile devices), but until today if you wanted to download the video, you could only get the (in many cases gigantic) original file, provided the owner enabled downloads.

Now you can choose from four versions: a mobile file, a SD .MP4 file, an HD .MP4 file or you can download the original file. That should be pretty useful.

Vimeo is still working on the new look, so not all features are perfect, for example, my embed options were not available at the time of writing.

Regardless of all that, it’s still my favourite video sharing site and a brilliant source of inspiration. See here for the full list of new features.

 

Posted in social media, video Tagged , , |

You wait for a bus…

 

I enjoyed last week. I filmed an amazing photographer in his studio, got a yes from an exceptional man, whose achievements I want to (and now will) film and share with the world.

I also saw one of my images – the one above – displayed in the Transport Museum in London’s Covent Garden as part of their Sense and the City exhibition, created in collaboration with Londonist. It’s a nice feeling, so thanks for the opportunity!

Another image of mine, the one below, also went on display, but this time in Leeds. Chris Osburn curated an exhibition called Mega City Photo and included my ‘Dwarfed’ image too. Now I’ve got an excuse to return to Leeds.

I hardly ever write self-congratulatory posts, but last week simply felt special in many ways. And I wanted to share my joy with you. I’d like to think the rest of the year will be at least as busy – and rewarding – as the past seven days.

It’s a nice feeling.

Posted in photography Tagged , , |

The miniature world of London commuters

During my visit to the London Transport Museum in Covent Garden last Friday I spent some time photographing the fascinating world of miniature tube stations and tiny commuters.

It all looks rather eerily empty and Alien-like, although if my commute every day was that comfortable, I really wouldn’t mind.

See the whole gallery below (may take a few seconds to load) or on my Google+ profile here.

P.S. Here’s the real reason why I visited the Museum in the first place.

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Posted in gallery/photo essay Tagged , , , , |

Some sound advice

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I took this picture recently in an old recording studio in London, now converted into an indoor cycling/fitness facility.

Current owners of the space have rescued one of those ancient audio editing machines – and I love them for it. I used Studers like this when, almost 20 years ago, as a fresh radio reporter I learned the basics of audio recording and reel-to-reel editing.

I still remember the shock I got  when my editor shortened my first 50-someting-second long piece to just under 30 seconds – just by editing out the unnecessary gaps and making everything ‘flow’ and sound more dynamic. It took him just a couple of minutes, maybe even less. The difference was striking. And all that using a Studer like the one above.

(Almost a decade later, during an induction course for new BBC radio journos, I was grateful for that knowledge when I realised tape was *still* preferred over digital – and most people on the course had never used tape before.)

The more time I spend filming using DSLRs with their pathetic sound recording capabilities, the more I realise how important it is nowadays to be able to replace low-quality camera output with better quality, independently recorded audio.

Regardless of whether you use tape or digital, the quality of the actual recording is as, if not more, important as good sound editing skills. But sadly, both often seem to be neglected. And I’m not talking here about casual mobile YouTube uploads, but rather videos created with more advanced gear, sometimes for clients.

I recently watched a clip by an international video production company (no naming and shaming here), with some fun advice on how to shoot a video using a DSLR. Great clip, pathetic sound. No effort was made to rectify this or even mention this as a potential issue. Which kind of rendered the otherwise good video useless.

So what can you do?

1. Invest in good external recorders – from Zoom to Tascam, there’s something for every pocket.

2. Invest in improving your audio editing skills. If you shoot video, you probably know how to edit it too. Basic principles of both are similar. Find an online Lynda course or simply browse YouTube for free advice on levels, noise reduction and audio matching. Or anything else, in fact.

3. Learn how to get audio right from the start – think about the space in which you are recording, about who you are recording and why; avoid background noise like crowds, buzzing air-con units or ringing phones; learn the difference between different types of microphones; and read this excellent duckrabbit blog post which pretty much nails it.

Trust me, with a bit of effort, it will improve your audio immensely. And you don’t need a gigantic Studer machine and a splicing block.

With so many tools and resources to learn from, you frankly have no excuse.

 

Posted in photojournalism, video Tagged , |

LCDVF: an entry-level viewfinder for DSLR film-makers

I hardly ever do product reviews and don’t intend to change that now. But if you’re using your DSLR to shoot video, and haven’t invested in a viewfinder, you might find this post useful.

As you no doubt know already, focusing using the 3-inch (or smaller) LCD screen at the back of your camera is a pain. Initially it didn’t bother me, I simply accepted it as one of those features you’d need to put up with. Back then, I used my Canon to take pictures and only occasionally filmed something. But with time I started using the video feature more and more. And experienced more and more disappointments. Why?

What I thought was pin-sharp on the LCD screen turned out to be out of focus when watched on a big computer screen. I was aware of Zacuto and its products, but could never justify the expense. Their fantastic-quality viewfinders are solid, adjustable and attach to your camera using a sturdy metal plate. But for casual use, £300+ is a bit steep.

With time, however, the need to have one of these became apparent. Not only do they allow you to focus and see the magnified LCD screen clearly (the magnification is usually between 2x and 3x), but also provide extra support for the camera. So I started looking at other options.

I first played with the Zacuto to set my expectations and learn what I really need from the viewfinder. Luckily, I don’t wear glasses, so diopter correction wasn’t a critical factor. Neither was the metal plate. (However, initially I saw this as the only option, as I didn’t want to glue anything to my screen. Soon, I got over that, more on that later).

I knew I wanted something sturdy and, above everything else, clear, sharp and without any distortions.

There are several options available for Canon DSLR users (like the 5D/7D or the 550D) – and they cover a wide spectrum of prices: from around £25-£30 per piece to £450 (yes, some viewfinders I looked at were even more expensive than Zacuto products).

I quickly identified the LCDVF as one of the best entry-level viewfinders, at a third of the price of its Zacuto cousin. You can buy it for around £85-100 online or in some bigger camera shops in the UK.

It’s simple, but provides a 2x magnification and a clear, distortion-free picture. You wouldn’t believe how many other viewfinders with cheaper glass suffer from barrel distortion issues. I’ve tried a couple and the experience is really bad: not only are the edges of the image soft and blurred, but also focusing – or checking the focus – outside the centre of the image seems problematic.

As I mentioned earlier, I was a bit sceptical about gluing anything directly to my LCD screen. And in order to use the LCDVF you first need to attach a small metal frame to your screen. The frame comes with an adhesive strip that sticks firmly to the screen and becomes a more or less permanent fixture on your camera. (Yes, you can remove it, although I haven’t tried yet.)

The frame is needed to hold the viewfinder in place. The latter click into place using 4 small magnets, which means that – provided you glued your frame on correctly – mounting and demounting will always be easy and the viewfinder will remain properly aligned with the screen. And allegedly the magnets are strong enough to hold it in place, but not strong enough to mess with the camera itself. Let’s hope so.

So far, it’s been great and I’m glad I bought it.

If your budget doesn’t allow you to splash out on any expensive viewfinders, you can’t go wrong with this one. If you want a more in-depth review of the LCDVF, Nino Leitner and Philip Bloom have written extensively about it. For full specs and compatibility see the LCDVF website.

Posted in kit, video Tagged , , |

Time for a refresh

You may have noticed that this site has changed a bit recently. I’ve decided to make my images more prominent, something I should have done long time ago. The blog stays as it was, I’ve just added new galleries using the Photocrati template. The previous galleries were frankly a bit pathetic.

The new template is more flexible, so it’ll be easier to modify both the home page (which until recently redirected to this blog) and grow my galleries, which were quite difficult to navigate.

So what’s new? Apart from the new template and homepage, I’ve added a more flexible Photography page, which contains links to my ‘category’ albums, like Street Photography, Urban Photography, People, Travel and Studio. The last one was absent from the old gallery, but I’m enjoying studio photography more and more, so this album will grow over the next few months.

At last, there is also space for topical, or one-off, galleries, like the current Sorrento Men one.

A separate video page for my video projects is coming soon. Videos from others will still regularly appear on this blog too.

Other changes include an improved navigation, which now has links to my Google+ profile, my 500px portfolio, my Tumblr and Flickr pages. If I haven’t added you to my contacts there – and you think I should – give me a shout.

A few bits and pieces are still work in progress on this site, but if you find the font difficult to read, images slow to load or if something else annoys you, doesn’t work etc., do let me know in the comments below.

 

Posted in announcements Tagged , , |

Google+ gets a new lightbox

Yeah, eat this, Facebook. Oh, and Flickr: keep looking on, with your hands in your pockets. This does help, sure.

New features include:

- full-screen photos
- improved layout
- better tagging
- new look and feel

If you’re not on Google+, you’re probably laughing now, after all “nobody uses Google+”. Allegedly.

But if you are a G+ user – and you share a lot of images – you’ll probably think twice before renewing that Flickr Pro account…

More on the recent Google+ changes here.

Posted in photography, social media Tagged , , |
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