Category Archives: advice

Videos that don’t suck

This guy definitely tries to practise what he preaches. His name is Steve Stockman and he put this short video together to promote his book called “How to shoot video that doesn’t suck”. I haven’t read the book, but based on the video I assume it’s aimed at all casual iPhone, Flip, camcorder etc. users who want to make better videos.

This sneak preview video focuses on five really basic rules:

  1. Think in shots
  2. Don’t shoot until you see the whites of their eyes
  3. Keep the brightest light behind you
  4. Treat your video camera like a still camera
  5. Keep your video short

Watch the video to get more info on each of those points. (He did keep it short.)

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How to shoot DSLR video

If you own a relatively new DSLR, chances are it is capable of shooting high-quality video – and indeed many photographers, myself included, shoot short- and long-form video using their DSLR.

But for many the switch photography to videography is not easy. Not everyone has a great guru to teach them or enough patience and determination to discover how to use their camera’s more advanced features. Sometimes we even neglect or ignore the basics.

But thanks to the University of Waterloo in Canada and its Digital Arts Communication course in particular we have now access to a brilliant series of ten short videos explaining the basics of DSLR videography. The series was produced in July 2010 and, although made using a Canon DSLR, most of these short tutorials should satisfy any budding videographer, regardless of what DSLR they are using.

The first video in the series explains the advantages of shooting video with DSLRs (great quality, switchable lenses, shallow depth of field), but also points out the disadvantages – or rather challenges (not really built for video, the need for an external microphone).

The whole series can be found on the brilliant Vimeo Video School page (which is, by the way, very useful if you’re interested in more advanced tutorials too), but here are links to the remaining individual parts of the above series:

2. Lens assembly
3. On-off, recording, movie mode
4. Focal length & Prime vs Zoom
5. Perspective
6. Shutter speed and FPS (this one is particularly good)
7. Aperture
8. Depth of field
9. ISO
10. White balance

So these are just the basics. I would suggest you watch Philip Bloom’s series for Vimeo too – it also covers the basics, but Philip also explains many other useful things – including camera settings, timelapses, filming at night and dealing with sound.

If it wasn’t for his really annoying sidekick, this mini-series would be really fantastic:

Introduction to DSLR Cameras with Philip Bloom from Vimeo Staff on Vimeo.

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Which Canon lens to choose?

How many times have you asked yourself this question (assuming that you own a Canon camera)? We all want to spend our money wisely and read endless reviews and comparisons, search for the best prices and pray that the next Lotto ticket solves all our photography kit problems. Actually, the last one might be just me, but never mind.

I don’t have sufficient knowledge of all Canon lenses, but filmmaker Michael Gebben found someone who does. On his website has posted a video in which a Canon guy compares seven prime lenses currently produced by Canon.

It was filmed during a recent workshop in New Orleans which was sponsored by Canon and it was clearly made with filmmakers in mind.

The quality of most of those lenses is stunning. My favourite is the 50mm f1.2 lens. Sharp, ultra-fast and ultra-desirable.

I won’t check its price for now. Will wait for that Lotto win.

Video found via Canon Filmmakers.

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Editing images without Photoshop

Here’s a quick tip for the New Year. If you cannot afford – or don’t want to use – Photoshop, and find Gimp too cumbersome, here’s another alternative to both of them, but also Picasa and many other similar image editing tools.

If you are using Chrome as your browser, and have a reliable internet connection, go to the Chrome Web Store and install the Advanced Image Editor by Aviary. (If you’re not familiar with Aviary and their products, see here.)

If you have used their Phoenix online editor before, you’ll recognse the interface. It’s very simple, like a stripped-down version of Photoshop, but powerful enough to perform more than just the most basic functions.

You can import your images from sites like Flickr, then work on them using layers, over 30 different editing tools, filters and effects. And all that in your browser, without the need to download any software to your machine. Which means that, if you sync your Chrome settings between all your machines, you can access the same tool(s) anywhere.

Here’s a short video showing what you can do with AIE for Chrome. Impressive, eh?

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Current favourite quote

“You mustn’t be afraid to dream a little bigger, darling.”

Taken from Christopher Nolan’s superb Inception.

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How the big boys do it

Have you backed up your pictures recently? Oh, you don’t bother? You’ll do it next week? You’ve got some on a USB stick? Riiiiight….

Got a few minutes? Then see how Chase Jarvis makes sure ALL his images and videos are backed-up and secure forever.

Impressive stuff. There is more advice on how to back up on his blog.

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How to photograph people?

New York

Or to be precise: how to photograph strangers in the street? And why would I illustrate this post with an average picture of a sad-looking dog? I’ll explain in a moment.

One of the reasons why I set up this blog is to be able to share with whoever is interested in photography things that I’ve learned myself.

I never had any formal photography training, all I do and all I know I’ve learned myself (and there’s I’m sure a lot more to learn). But in recent years it’s been much easier to find inspiration and sources of knowledge through the internet.

Without photobloggers, without pro photographers sharing their knowledge via podcasts, Twitter, numerous iPhone apps, or micro-blogging sites it would be much harder to learn and compare.

This abundance of various sources of information can be overwhelming, yes, but it’s important to define exactly why you need them and what exactly you want to learn from them.

I’ve got a few photographers I follow, who inspire and encourage me, but that’s probably something for a different post altogether. What I have learned however is this: many photographers, pros and newbies alike, stumble upon the same problems on the long road to being slightly more than just a casual snapper. And one of the most common problems is photographing people. Strangers, to be precise.

How do you do that? Do you ask? Do you sneak up behind them, shoot and run?

I don’t have a definitive answer.  But here’s what I’ve learned so far about photographing strangers:

1. Don’t be shy

This is the number one reason why many of us prefer to take a picture of a building rather than of a person selling popcorn just at the foot of it. If you see someone you want to photograph, come up to them and ask. In 9 cases out of 10 they will agree to have their picture taken.

I took the above picture while walking through New York. I noticed this lady driving the car while holding her dog and thought ‘Damn, that would be a nice picture’. But then immediately I also thought ‘No, no point running after her, she’ll probably say no, it’s embarrassing.” No, it isn’t. Pluck up the courage, go for it. It might be your only chance to capture something unique. I eventually ran after the car when it stopped on red, asked her, and she was more than happy for me to take a picture. It might not be the best one I’ve taken (and in fact it’s probably more about the dog than her face), but for me this was my breakthrough.

2. Be polite, smile

In other words, break the ice. People will warm up to you when they are assured you come with good intentions.

I once photographed a flower seller in Central London and her stand – there were plenty of flowers and leaves on the floor, it was messy, but colourful. She initially didn’t want me to take pictures. Why? I didn’t ask for permission. She thought I was from Westminster council taking pictures of her for some environmental report. A smile, a quick apology and a brief explanation helped diffuse the tension and she was happy for me to carry on photographing her.

3. Show them the result

Quite often when people see the result they are positively surprised and want to pose again. They are also likely to be more relaxed, so grab that opportunity and get some more portraits. If in doubt, see 1 above.

4. Observe local customs

Taking pictures of people in big, cosmopolitan cities like London or New York might be relatively easy. But don’t assume the same rules will apply everywhere else. Particularly in countries which have gone through some sort of  political turmoil people might be more suspicious of someone trying to take a sneaky picture of them in the street.

It pays to do a bit of research beforehand, ask others and use common sense. Don’t insist if you encounter resistance.

5. Share the outcome

Always have a card on you with your website, if you have one, or at least some contact details.

face

Sometimes, although different photographers will have different opinions on this subject, it’s nice to simply email a jpg to someone you’ve photographed. Just to share it with them. The guy above was photographed last week in Covent Garden, I walked past his shop and wanted to take a picture of the mannequins in the window, but ended up photographing him. Although my partner took a much better picture (see above), which we later emailed to the guy. He was delighetd.

If anything, this will help you promote yourself and your photography.

So that’s it – five simple tips, but really the crucial thing is: don’t be shy, give it a go.

But I’m sure you have your own experiences and advice – I’d love to know what you think.

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7 things you should know about Flickr

So who hasn’t heard about Flickr? It’s been around for ages, but I’m always surprised to see how many people don’t know some simple tricks about the service.

Did you know it’s dead easy to swap images?

Worried about image theft? Or maybe you need more exposure? How about selling pictures via Getty Images?

I’ve put together a few slides to highlight some of the more useful, but often overlooked Flickr features.

Got some more tips? Let me know.

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