Category Archives: photography

Lord Mayor’s Show – behind the scenes

The annual Lord Mayor’s Show took place last Saturday. You may have seen the images of the parade or the fireworks display already. I managed to take some images of those who took part in the parade, but not during the march – during the break. Call them “behind-the-scenes images”.

So while the musicians retuned their instruments, kids munched on their crisps, exotic dancers entertained the bystanders, the numerous Worshipful Companies’ members stretched their legs and the Queen’s horses deposited large amounts of manure all over Aldwych, I grabbed a few images of them all.

The whole album is available on my Google+ profile, click on any of the images here to be taken straight there.

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It’s been a good week

Petersfield, Hampshire

At least for my photography. First, the image I submitted for a project by the New York Times called “Picturing 7 billion” was chosen for their Facebook page. That made my day on Friday. Later that day I got a mention on the Lens blog too, which was great.

The idea behind the project is to create a time capsule for those who were born around the time when we broke the 7 billion people barrier. Time will tell whether my picture – taken during a rather rigorous walk with friends in Petersfield, Hampshire last weekend – will make the cut.

Then another picture I took yesterday outside the British Museum got ‘Explored” on Flickr. Not sure what it means – apart from the fact that I was noticed by some Yahoo! algorithm – but it’s nice to get all those nice comments anyway.

At least there’s something I can now add to my bragging rights.

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The Art of stealing images

Yesterday, a well-known photographer, Trey Ratcliff, posted his thoughts on watermarking online images. In short, he doesn’t believe in watermarks and he explains why. And it works for him, which I respect.

Others responded by explaining why they do watermark their images. There are multiple reasons for that – commercial, social, ego-driven, etc.

I watermark mine too. Generally, watermarks don’t bother me, unless they are overwhelming, badly applied or extremely distracting. In most cases they aren’t as many photographers rely on software like Lightroom, which enables them to create and compose individual watermarks and control their position, size, transparency and other parameters.

My brain processes the image and ignores the watermark. I can understand that many people’s brains work differently and that’s fine. But that’s not the point of this post.

In his post, Trey Ratcliff explains why he doesn’t watermark his numerous images. He claims that, since they are protected by Creative Commons, people can repost them with attribution (except for commercial purposes) and that – because he registers them with the Copyright Office – any lawsuit will be easy.

I don’t necessarily agree with Trey – I certainly think he is wrong when he says that “legitimate companies do not steal images to use commercially” – but as I said, I respect his choices. In the post he does admit that there will always be those who steal images – he calls it the cost of doing business on the internet.

And, as if to prove his point – less than 12 hours after reading Trey’s post, I came across his images, reposted on Google+ by someone called Art Rudenko (assuming it’s his real profile). Oh, the irony.

Art, whose profile is in Russian (all screengrabs here have been translated into English using Chrome) seems to have a penchant for stolen images. His profile is a loose collection of images, videos etc. collected from all over the web and reposted – without any attribution – under his name. You’ve probably seen many blogs like this on Tumblr.

Trey Ratcliff has become Art’s latest victim. I noticed at least two of Trey’s images on Art’s profile, including one which he subsequently deleted from his profile (see screengrab below)

 

Exif data from both images confirms without a shadow of a doubt who the original creator was.

 

Under pressure from a few Google+ users Art eventually added attribution to one of the images and deleted the other one.

But his ‘discussion’ with Google+ users confirms he’s one of the bottom feeders (Trey’s expression) who don’t give a damn about intellectual property, and is likely to continue stealing from others, republishing under his profile and thinking nothing of it.

So here is my point. Most people whose images have been misued (for commercial or non-commercial purposes) don’t have, unlike Trey, 300k+ followers willing to speak up for them. Many of them don’t – or can’t - submit their work to the Copyright Office as they either don’t know of its existence or live outside the US (although the Office does protect “many works of foreign origin“).

Many live in territories where all forms of copyright theft are widespread and they simply feel more vulnerable. Watermark might be a form of security – yes, it’s weak – but it’s some security.

Others have been stung in the past or maybe simply want to discover new talent online.

So, Trey, if you are reading – I assume that you wrote your post simply to share your point of view, and not to lecture. But it was slightly detached from reality. And when it comes from someone with such a huge fan base, it is bound to unleash some criticism.

You may consider them ugly, but for some photographers watermarks are a necessity.

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The Italian Scooter

This was my favourite activity while in Italy. Watching the locals on their scooters. No, seriously. They do everything while driving: they smoke, chat on their mobiles and look after their dogs.

They allow children to drive (well, almost), cram whole families onto the back seat, yet their passengers feel completely relaxed (they must have a lot of patience, those passengers, and a firm belief in the driver’s abilities).

Shopping by scooter? Easy. Moving furniture? Or plants? No problem. A tourist with a huge case? Piece of cake.

This was a constant source of amazement and laughter.

Please click here (or on any of the images within this post) to see the whole album on my Google+ profile – I encourage you to click on the thumbnails within the album to see the images in greater detail.

Trust me, it’s worth it. (alternatively scroll down here for a video slideshow).

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My Google+ request

Google+ has become an online Mecca for photographers in a very short time. While many people still don’t ‘get’ Google+ (it’s a topic for a separate post), many photographers have embraced the new network and – in some cases at least – decided to abandon Flickr for good.

Those who abandon or move from Flickr usually claim the service has become stale, doesn’t evolve or innovate and doesn’t listen to its users.

Google, on the other hand, has so far implemented a whole range of improvements to its relatively new service. They seem to listen to – and indeed request – users’ feedback, and I noticed many photographers (and not only) have been more then happy to submit theirs.

So here is my request. I’ve already submitted this directly to Google using their rather brilliant feedback facility on Google+, I also posted this on my Google+ profile. It’s been bugging me for a long time – and I’m sure I’m not the only one.

My photo albums. Why not allow users to decide which albums – and how many – to display in their profiles. By default, if you visit somebody’s Photos on Google+, you’ll see just four albums: images from posts, profile pics, and the two latest public ones created on Google+/Picasa. If there are more albums, and usually there are, they can be accessed via a link.

Now, we all know that we should probably spend more time browsing thought the remaining albums, but in reality I think most people will have a quick scan through one or some of the initial albums when visiting somebody’s profile, while the rest will remain unseen.

It’s possible to rotate two of the four albums by changing their date in Picasa, but Google has recently replaced Picasa with Photos in the top bar (although the old link, if you bookmarked it, still works) and most people probably don’t bother.

Is Google planning to address this? Can we get the ability to decide how many albums to display in our profiles and in which order? Can this order also be decided based on factors like user preference, activity, number of images, as well as date?

There. Maybe somebody will listen. I’m sure I’m not the only one requesting this functionality. Although I know Google is already innundated with Google+ feature requests… (almost 2300 at the time of writing).

Good luck.

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Instagram gets a refresh – aka Instagram v 2.0

If you haven’t updated to the latest version of Instagram – released today – do so.

They have reworked the app to give it a new interface, improve functionality  and add some new filters. What’s more, all filters now come with live preview.

The previous update also enabled users to add selective blur, but the experience wasn’t great. Now, the tilt-shift functionality has been improved and adding selective blur has been made really easy and fast.

You can also decide whether to use frames or not, plus you can rotate images, which was impossible before.

You will now be able to save all Instagram images in high resolution on your phone. Until now, IG images were 612x612px in size, from today you can save  1936x1936px images on the iPhone 4 or  1536×1536 on the iPhone 3GS. More importantly, the high-res images are only available to you and won’t be available in the same resolution via third-party apps or sites using Instagram’s API, giving you more control over your images.

More on today’s release on Instagram’s blog.

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Adde Adesokan’s Triptychs of Strangers

Image © Adde Adesokan, used with author's permission

Every now and then comes a photographer who does something new and unique. And every now and then I feature some of them on this blog.

Today I’d like to introduce you all to a Hamburg-based photographer, Adde Adesokan, whose stunning Triptychs of Strangers have recently attarcted a lot of attention on sites like Google+ and Flickr.

Adde takes street portraits of strangers. But instead of traditional portraits, he creates triptychs, where in one image he combines three close-ups of his subject’s face, hips (or general midriff area) and feet. I couldn’t resist asking Adde a few questions and I started by asking how he came up with the idea for Triptychs of Strangers:

I came up with the idea while looking at normal triptych artworks around an exhibition. I tried and posted the first stranger without a description but with time I developed a writing style too to make those strangers even more unique and to stress what I tried to reveal about their personality in the pictures.

How difficult do you find it to convince people to participate?

Not that difficult. It really depends on your idea, yourself and experience. People are really excited about the idea itself or when I show them a few examples. I end up talking to my strangers for about 20 minutes, sometimes up to two hours. Most of them are flattered if you ask them about how they get along and stuff.

Then comes your experience – don’t push to much. Don’t talk to people in groups (individuals seek group-approval), don’t ask for 10 minutes of their time if it’s raining heavily – and offer to delete the photos in case they don’t like them.

A lot of your images – including this project – are street images. Why street photography?

I would say 99% is street. I love people in the streets – whether you get in touch with your subjects or not. I enjoy these moments in life and photography is a good thing to record them.

How long have you been doing photography?

One year. I was in London a year ago visiting my cousin and the city. Unfortunately his time was rather short, so I had to kill some time. This is how things started.

Image © Adde Adesokan, used with author’s permission

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What men really like

Ah, those Italian stereotypes. Women making pasta in the kitchen, men playing cards and smoking fags in the street. Not true, eh? Or?

Well, I haven’t visited many Italian kitchens, but the bit about men sitting on corners and in various public places is largely true. Whether they gossip, smoke, quarrel loudly or play cards, they are always great subjects for street photographers.

The men from these pictures gather every day in an ancient building called Dominova Seat in the heart of Sorrento, southern Italy. They play every afternoon, sheltered from the fierce heat outside. They quarrel, laugh, chat or – in some cases at least – sit quietly reading or writing.

They’re also very friendly, and allowed me to stay with them for a bit to take these shots, for which I’m very grateful.

The building itself is fascinating too. It’s dates back to the 14th century and has two open arches, which makes it partly open to the outside world. It has a magnificent tiled dome and impressive faded frescoes.

You can see more photos from that afternoon in my Google + albums here, or just click on any of the images in this post.

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The spider that got Explored

 

It’s a nice feeling when you wake up and fellow Flickr users inform you your picture has been chosen to feature on Flickr’s Explore page. Not sure what else it means apart from a little boost to my ego and a few more eyeballs checking out my work. Which is always nice.

Thanks :)

Click on the above screengrab to see the actual image.

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My changing habits

I’ve been travelling a bit recently, so to make up for the long silence on this blog, I’ll be writing a few travel-related posts on here over the next couple of weeks. Things I’ve learned, noticed and photographed. Maybe a video or two too, but don’t hold your breath.

One thing that has become very obvious is my relationship with all the social platforms I’ve been using to post my images.

Until recently, it’s been just Flickr and this blog. And Twitter, but it mostly helped me - among other things - direct others to my images on other platforms, rather than publish the images themselves. (Facebook to a degree too, although I never upload my photos directly to Facebook as a rule, except for some mobile pictures).

Nowadays however, I increasingly use Flickr to post an image or two from a particular session – maybe a few more, if they’re good enough – but publish larger galleries on Google+.

Flickr hasn’t moved on for years. As a basic sharing tool it’s still good, despite the permanent chorus of complaints. Yes, it’s clunky, inflexible, but still serves its purpose.

500px.com is stunning, but it also doesn’t have certain features I’d like, like albums. I also don’t think my images are artistic enough to feature there. I’m simply not interested in this kind of photography.

Google+ however combines the social aspect of Flickr with ease of use and certain functionality that’s missing from Flickr. It’s easier to upload – and share – an entire album or just a single image from it. It’s more lively and I find it easier to connect with other photographers on there than I do on Flickr. I wrote about Google + soon after I joined and I guess most of that is still true.

Yes, I know, it does come with its own baggage (real name issues, multiple Google account fuck-ups, copyright issues etc.), but for now it’s winning over Flickr for me. Your experience may differ.

BTW, if you click on the above image, you can see the rest of my Valencia set on Google+. And while there, why not say hello….

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