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Tag Archives: flickr
Heeeeeeeere’s FLICKR!
In a way I feel like posting this now is a bit pointless as it’s probably been discussed a million times everywhere. And perhaps your conclusions are similar. But here it is. Flickr is likely to become cool again. There, I said it.
OK, it’s clearly been helped by the whole Instagram saga, but Yahoo! is at least (and at last) using the momentum to rescue what was once the world’s leading photo-sharing community.
The service everyone (including me) has been criticising for its inability to reinvent itself, update its ancient functionality and compete with the likes of 500px or Instagram, has now – in less than a week – become hot again. At least for mobile users.
First, the new iOS app was released. The completely revamped Flickr app – clearly targeting mobile users used to editing, applying filters and sharing on the go – has received largely positive reviews. Win number one.
Then the whole Instagram ToS disaster made many abandon Instagram in a hurry and join – or at least consider – Flickr whose ratings had only just gone up. Win number two in the bag.
Less than 48 hours later Flickr – by coincidence? – releases an updated version of its recently released iOS app. The update introduces the ability to find Facebook and Twitter followers more easily, and share images on Facebook. Third win in a week for a service which had remained unresponsive for years cannot be ignored.
And people clearly noticed. I have since then received endless notifications of new people joining – and actively using – Flickr.
Then, last night, Flickr surprised every user – whether free or paid – with a free 3-month Pro licence. Regardless of whether this was planned as part of Yahoo!’s (new) strategy, or introduced in response to last week’s event (I hope it’s the latter), this is likely to entice even more disgruntled Instagrammers and give those considering abandoning Flickr a reason to stick around for a bit longer.
Now all we need to make Flickr cool again is a refreshed desktop version. (You *are* working on it, Yahoo!, aren’t you?!)

Into The Sun – my first mobile picture uploaded using the new Flickr app. Oh, and an Instagram filter. Obviously.
Posted in social media, software
Also tagged flickr app, instagram's terms of service, mobile photography
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Quick tip: how to log in to the (new) Flickr app for iPhone
Something incredible happened last night. Flickr surprised everyone by upgrading its iPhone app. Not *just* updating – upgrading. Revamping. Relaunching as something completely new – and in fact, usable. Yay.
That’s when – and if – you can log in. If, like me, you were forcibly logged out during the update, you were asked to log in using either your existing Yahoo! credentials, Facebook or Google.
Sadly, despite numerous attempts the message was always the same for me:
I requested a new password, but I was ignored.
Well, not just me:
@michald Same here. Asked for password reminder but never got email including log in details. That’s me never using Flickr again.
— James Seddon (@jamesseddon) December 12, 2012
Frustrating, unnecessary. But there seems to be an easy – if completely baffling – “workaround”.
When you get the above message, ignore the main screen, but instead go to the next screen with captcha.
Type in your email and password – plus the captcha bit – and if you’re as lucky as I was, you’ll be logged in and redirected to your welcome screen.
No idea why you need to do it this way, and sadly, neither the Flickr blog nor the Flickr dev blog offer any clues.
But the app is actually quite cool and seems to define the direction in which Flickr is likely to go now. An overview of the new features is here.
If the complete overhaul of the app is a sign of things to come, Flickr may still rise from the ashes. Hope it’s not too late.
The Flickr overhaul we’ve been waiting for?
If you missed the news last night, Flickr is getting ready to bite back. All, it would seem, thanks to its Head of Product, Markus Spiering.
An article published by Betabeat claims Spiering is getting ready to unleash the revamped beast by the end of February. This is likely to happen in stages, but, as the screengrab above seems to suggest, the changes are likely to be more dramatic than the previous cosmetic ‘improvements’.
So what can we expect? According to Betabeat, who sat down with Spiering to go over the new features, we’re likely to see:
- much bigger images, and a new layout (judging by the screengrab, it mimicks the Google+ photo albums layout, which confirms everyone’s suspicions that the launch of G+ must have spurred Yahoo!, Flickr owners, into action)
- new upload page, which “looks more like an app than a website” and offers drag-and-drop capabilities
- bigger focus on mobile aspects of the site
- new pricing structure (announced in January)
But I guess there will be more features and more catching up with the competitors who’ve been given enough time to attract disillusioned Flickr users over the past few years. In a way, the timing might play into Flickr’s advantage, as those who’ve migrated to 500px and Google+ have had enough time to get familiar with these services, and if Flickr can offer a vastly improved experience, it can still woo them back. After all, it still remains the most popular dedicated photo sharing site and, as Spiering claims, users upload over 3.5 million images to Flickr every day.
What I really want to know is whether Fenix, sorry, Flickr in its new incarnation will allow me to take control over what displays where. After all, one of my biggest gripes with the service was its insistence on displaying the latest image as the first one in the stream.
Roll on Feb. 28!
UPDATE 1 (28 Feb): As promised, Flickr has just rolled out the first change – if you go to your Contacts page, you can now choose between justified view and lightbox. The latter is the traditional Flickr lightbox, the former however gives users options to switch between 1 and 5 most recent images uploaded by your contacts (see screengrab below).
The images fill the width of the page neatly and each image displays the author’s name. Mouse over an image and a grey overlay appears, showing some basic info: title, number of likes and comments, plus an option to switch to lightbox view for that image.
Pretty neat. I never thought I’d say this, but so far the change has been more successful than the recent 500px refresh, which annoyed many users with its ‘flow’ and endless repetitions of images liked or commented on by others.
Now I’m *really* curious about the next wave of Flickr improvements…
6 Facebook alternatives for photographers
If, like me, you never publish your pictures on Facebook, or you simply want to make your photography more social using other platforms, this post is for you.
This is part of a presentation I made on social tools for photographers during my monthly photographers group meet-up, where I focused on several alternatives to Facebook. The presentation assumed a minimal or no knowledge of these tools, hence the basics.
If you interact with many photographers on Google+ or Tumblr, you’ll be forgiven for thinking everyone knows these tools. In reality, many photographers actually don’t venture out of their safe Facebook zone or post their images outside their portfolios.
There are virtually endless possibilities, platforms, apps and networks a photographer can use. But who has the time to update – in a meaningful, i.e. engaging and not automated, way – twenty or so different networks?
So before you choose a site, app or platform for your photography, answer the following questions to help you decide which networks would work best for you:
- Who is your intended audience? Your peers? Prospective clients? Future models? Or maybe just family and friends? What do they expect? Where are they likely to spend more time?
- Establish your goals – who do you want/need to reach? What or who do you want to promote: yourself, your services or just your images? Are you more about showing off or educating? Or do you just want a simple portfolio? If so, do you want just the images, or do you want to have a blog and a space to sell your images too?
- Are you able to devote a chunk of your time – daily – to manage all this and be social? The old cliche – “It’s called social for a reason” – still applies. If you don’t manage your presence, joining so many networks is pointless. Also, if you don’t engage – talk to people, post comments, reply to others, promote and reshare – you’ll become one of many dull, link-spewing bots. There are already too many of them.
Also, always – always – read the Terms of Service for each site. It’s important. Be aware, but don’t get paranoid about the details.
I need to stress that the following networks, sites and apps have been chosen for two reasons: their popularity and my experience with them. This is a subjective choice, I admit, and if you’re a seasoned social networker your mileage may vary. But for most photographers considering their first steps in the social media maze, this should be a good starting point.
Also, while some of the sites below may be and are often used to create a portfolio, I’ve assumed you already have one central place for your photography and you are using Facebook and/or other sites to promote it.
500px (500px.com)
Launched in 2011 and quickly became popular among high-profile and high-quality photographers. Great portfolio tool. Not really a place for your holiday snaps – creativity, quality and originality are rewarded. (Read my interview with one of the co-founders here.)
Pros:
- Focus on large, high-quality images.
- Can be used as a gallery, portfolio, blog or a combination of all of them.
- Can link to your own domain.
- Works with Lightroom through a plug-in; also a very good iPad app.
Cons:
- Unlike many sites, it allows users to ‘dislike’ a picture. Many see this as a redundant feature for trolls.
- Allows image embeds, which has proved controversial.
- The “Awesome” version ($50/year) doesn’t really offer that much more.
PINTEREST (pinterest.com)
One to watch: an emerging platform, barely a few months old, which serves as an online pinboard (or to be more precise, a collection of themed pinboards, where you decide how many pinboards you want and what to share on them). Initially perceived as very heavily female-biased, but as it’s focused on specific interests and can be very granular, many people, including photographers, discover its benefits already.
Pros:
- Image-led, very little text, very easy to use.
- You can create separate albums (boards) for various types of stuff.
- Other users can ‘like’ or repin your posts, ultimately driving traffic to your site/images.
- An iPhone app.
Cons:
- Currently cute pets, crafts and fashion do really well. This is likely to change as the platform expands. Persist.
- There’s a lot of content duplication in the general stream, which creates a lot of noise and clutter – can be off-putting at times.
- Potentially bad for image theft, but probably not worse than Tumblr.
- Very new and experiencing some teething problems.
GOOGLE+ (plus.google.com)
A social networking site by Google, which combines elements of Facebook and Twitter. Quickly adopted by photographers, including some high profile names. Very robust galleries, sharing and permission management.
Pros:
- You can create and share ‘circles’ of contacts – good for growing your audience and ‘selective broadcast’.
- While many people don’t want to make the switch to G+ (“I don’t know anyone there!” *sigh*), the photo community on there is very active.
- Great galleries, you can share/comment on whole galleries or individual images. The gallery/lightbox interface offers a much better photo experience than Facebook.
- Easy to control permissions and make them as wide or as narrow as you want.
- Integrates with Picasa and can potentially be used a a free, unlimited backup/storage solution (image size restrictions apply); also comes with a basic retouching tool.
- Lightroom plug-in for Picasa; iPhone/iPad apps.
- Google intergrates G+ more with search, your images are likely to surface in search results in the future.
Cons:
- Unlike on Flickr, you can’t add one picture to several albums, you need to make copies, which is a bit messy and means you can’t have all comments for the same image in one place.
- Google continues to integrate G+ with other services – which may be annoying for some.
- Take-up among ‘ordinary’ users is still low.
TUMBLR (tumblr.com)
A micro-blogging platform that makes it easy to share content and follow people. It combines blog functionality with Twitter-like stream of updates.
Pros:
- Really simple to set up and manage.
- Can be customised easily, there is a wide selection of free and paid-for templates.
- It has some advanced functionality too, but even in its basic form it’s more than enough for most.
- Hugely popular, easy to reach a large audience – and most people on it reshare rather than create.
- A powerful mobile app allows users to post on the go.
Cons:
- A lot of images get shared without credits or links – often it’s unintentional (people may drop the original credit while re-sharing), but may be an issue if you don’t watermark images but want to be recognised as the original creator.
- Can be really spammy.
- Audience largely used to quick fixes, looking for easily-shareable, ‘cool’ stuff.
- Not ideal if you want to grow your site and have some flexibility (see WordPress below).
POSTEROUS (posterous.com)
Another micro-blogging platform, like Tumblr, it’s very easy to set up and use. So easy in fact that you can start blogging by simply sending your first post by email to post@posterous.com.
Pros:
- Very simple to use – you can post by email and/or online; you can easily import an existing site from elsewhere.
- Emailing several images at once automatically creates galleries.
- Easy customisation, you can set up multiple blogs.
- Daily digest email sent to subscribers.
Cons:
- Tumblr has probably a bigger audience.
- Not powerful enough if you ant to add e-commerce or have more advanced features.
Both Tumblr and Posterous lack the commerce tools or robustness of platforms like WordPress (see below).
WORDPRESS (wordpress.org if you want to host and manage it yourself or wordpress.com if you don’t)
The ultimate blogging platform. Can easily be expanded to go beyond blogging – it’s a content management system, which allows you to build everything – from blogs and portfolios to e-commerce sites. You can manage forums, create robust portfolios with or without blogs etc.
Pros:
- Expandable, with a huge choice of free and paid-for templates.
- Versatile and suitable for almost all needs.
- Can be self-installed and hosted if you’d prefer to install it on your own domain (wordpress.org has all the files and support) or you can use the managed version (wordpress.com).
- Integrates easily with other social networking sites/tools.
Cons:
- If you want to host your site using WordPress, you need to have a domain and pay for hosting.
- The managed version (wordpress.com) is limited in terms of its flexibility compared to the self-hosted version.
*****
AND THE REST
Flickr - the ‘original’ photo-sharing site, a bit stale and with limited functionality compared to many newer platforms. But the Flickr community is active and the library is gigantic. Owners, Yahoo!, promised to invest in new features in 2012.
Ephotozine – one of the oldest photo communities (active since 2001) online, still doing relatively well. The usual features are all here: portfolio, photo critiques, forums. It’s UK-based and seems to have a loyal, if moderately-sized, fanbase.
Twitter – great for building an audience and following people you *want* to know, rather than those you *do* know. Good for posting links to own images elsewhere, but stay away from third-party image apps.
InstaGram – a smartphone app which most people use to grab mobile images, tweak them and share with their followers. A lot of users however upload their DSLR images to Instagram and – while annoying many IG ‘purists’ (including me) – get another outlet for their photography.
Have I missed any obvious sites or apps? Let me know in the comments below.
Posted in advice, photography, social media
Also tagged 500px, facebook, Google+, instagram, Pinterest, posterous, social media, tumblr, Wordpress
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It’s been a good week
At least for my photography. First, the image I submitted for a project by the New York Times called “Picturing 7 billion” was chosen for their Facebook page. That made my day on Friday. Later that day I got a mention on the Lens blog too, which was great.
The idea behind the project is to create a time capsule for those who were born around the time when we broke the 7 billion people barrier. Time will tell whether my picture – taken during a rather rigorous walk with friends in Petersfield, Hampshire last weekend – will make the cut.
Then another picture I took yesterday outside the British Museum got ‘Explored” on Flickr. Not sure what it means – apart from the fact that I was noticed by some Yahoo! algorithm – but it’s nice to get all those nice comments anyway.
At least there’s something I can now add to my bragging rights.
My Google+ request
Google+ has become an online Mecca for photographers in a very short time. While many people still don’t ‘get’ Google+ (it’s a topic for a separate post), many photographers have embraced the new network and – in some cases at least – decided to abandon Flickr for good.
Those who abandon or move from Flickr usually claim the service has become stale, doesn’t evolve or innovate and doesn’t listen to its users.
Google, on the other hand, has so far implemented a whole range of improvements to its relatively new service. They seem to listen to – and indeed request – users’ feedback, and I noticed many photographers (and not only) have been more then happy to submit theirs.
So here is my request. I’ve already submitted this directly to Google using their rather brilliant feedback facility on Google+, I also posted this on my Google+ profile. It’s been bugging me for a long time – and I’m sure I’m not the only one.
My photo albums. Why not allow users to decide which albums – and how many – to display in their profiles. By default, if you visit somebody’s Photos on Google+, you’ll see just four albums: images from posts, profile pics, and the two latest public ones created on Google+/Picasa. If there are more albums, and usually there are, they can be accessed via a link.
Now, we all know that we should probably spend more time browsing thought the remaining albums, but in reality I think most people will have a quick scan through one or some of the initial albums when visiting somebody’s profile, while the rest will remain unseen.
It’s possible to rotate two of the four albums by changing their date in Picasa, but Google has recently replaced Picasa with Photos in the top bar (although the old link, if you bookmarked it, still works) and most people probably don’t bother.
Is Google planning to address this? Can we get the ability to decide how many albums to display in our profiles and in which order? Can this order also be decided based on factors like user preference, activity, number of images, as well as date?
There. Maybe somebody will listen. I’m sure I’m not the only one requesting this functionality. Although I know Google is already innundated with Google+ feature requests… (almost 2300 at the time of writing).
Good luck.
The spider that got Explored
It’s a nice feeling when you wake up and fellow Flickr users inform you your picture has been chosen to feature on Flickr’s Explore page. Not sure what else it means apart from a little boost to my ego and a few more eyeballs checking out my work. Which is always nice.
Thanks
Click on the above screengrab to see the actual image.
Posted in photography, social media
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Why Flickr’s Explore is ‘unfair’ and other links
- Ever wanted to be featured on Flickr’s explore page, but didn’t know how others get there? Photopreneur has an interesting post explaining how Flickr’s algorithm selects images for the Explore page. Worth a read, even if you hate Flickr or don’t give a damn about reaching a wider audience.
- Abelardo Morell’s fascinating camera obscura technique, which fills darkened rooms with amazing landscapes. National Geographic put together a gallery of his best images and posted a video explaining the technique.
- Wartime photographers: the New York Times executive editor, Bill Keller talks to war photographers Joao Silva and Greg Marinovich. Both were wounded while on assignments as war photographers, both saw their colleagues die. The transcript is called “The inner lives of wartime photographers” and is essential reading for everyone, not just photographers.
Flickr gets a new interface
UPDATE: If you’re looking for the February 2012 Flickr update, it’s here.
Oh, I do like nice surprises! Last night I discovered a preview link on my Flickr page, which takes users to what will ultimately become the new Flickr interface.
The facelift was long overdue. I can’t remember any substantial changes to the interface over the last few years, but the latest overhaul is really good – and, more importantly – useful.
The first thing you notice is that the images in your photostream are bigger (the default size is now 650px). And that’s a good thing. Services like boston.com’s The Big Picture or Pictory prove that large images work better.
Depending on your layout, if you choose to display collections next to your photostream, you can now see usage stats for them and edit the mosaic for each of them from your photostream page.
But the biggest changes are visible when you go to an individual photo page.
Those of you who often post images which require black background will be pleased to know that the third-party “view on black” workaround has been replaced by a permanent ‘zoom’ feature. It allows users to see a bigger version of the currently viewed image in a ‘lightbox’ on black bacground with hardly any distractions on the page. Neat.
What’s more, it comes with a keyboard shortcut too – just press ‘f’ to toggle between regular and lightbox views. You can now also use keyboard shortcuts to scroll through images while in the lightbox mode.
The same shortcuts can now be used to browse through the photostream, collections and sets. Alternatively, use the newly added ‘newer/older’ arrows above the image. I’m also glad that the photostream thumbnails have been revamped – thanks to a wider page you can now see five instead of the uselessly minimalistic two thumbnails before.
The whole page looks and feels lighter now. All the various functions – like tagging, adding notes, adding to or removing from sets, editing, choosing sizes, etc. – have now been grouped under one drop-down menu called ‘Actions’, just above the image. Right next to it a new ‘Sharing’ menu appeared, making it easier to share Flickr images elsewhere. The sharing functionality hasn’t changed though. Twitter and Facebook integration would have been a nice addition to the new page.
But what has changed is how you add images to groups. Before it was one group at a time. And if your list of groups was long, the whole process was really time-consuming and painful. Now it’s just a question of ticking all the right boxes at once and your picture is automatically added to all yourchosen groups. It’s a bit weird that Flickr hasn’t improved this bit of functionality earlier – a much better solution was already available to Lightroom users. But thankfully Flickr has caught up eventually.
The right-hand column has changed dramatically too. The old version looked like this:
The new, wider page, has space for a short description of when the photo was taken and (if available) what camera was used. There’s also a new, permanent map for geo-tagging, plus the revamped thumbnails I mentioned above. If your image has been added to a group, set or collection, you can now preview thumbnails for the group, set or collection on the image page.
When you compare the two screengrabs, you’ll also notice that the commenters’ thumbnails are much smaller, therefore fewer things in the main column compete with the main image for attention.
Overall, it’s not a drastic overhaul, but it’s also much more than just ‘cosmetic changes’. The whole experience is now much smoother and user-friendly. The pages are more logical and lighter, the most important functionality is grouped together and is easily accessible.
If only they removed the ability to add ginormous badges to comments.
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Bland, tired, clichéd. Welcome to the world of stock photography
Everyone is complaining that it’s more and more difficult to make money on photography and that the stock photography market has become too competitive. Stock libraries spring up every five minutes and they all overflow with images.
Yes, that might be true. But when you really need a good picture, micro stock libraries disappoint.
In my job I often need to browse for images to illustrate various stories. The subjects vary wildly, but in many cases the requirements are not too taxing: a picture of a child using a laptop; or an image of nice garden; or a messy room. You know the score – no latest Reuters shots from Afghanistan or galleries of the Gulf of Mexico oil spill. Just some interesting, clean, fairly generic, but hopefully inventive images. The last bit – inventive – is however the source of my frustration.
Photographers submitting their images to stock galleries seem to have a problem with thinking outside the box. They either repeat the same bland – and often detached from reality – clichés which over the years have become a norm, or go for very artistic images, which, although technically perfect, are hardly usable.
This morning I was looking for an image of a car with a few rust spots. Had I known I would need one, I would’ve snapped my own rusty car as it combines the two things I was after: it’s relatively modern and working, and it has a few rusty spots. But try searching for a such a car on a certain well-known stock image website and all you get is numerous images of old rusty Dodge trucks, abandoned somewhere picturesque and artfully photographed in HDR. It ticks all stock library boxes, so it gets accepted, yet from an editorial perspective it’s mostly useless.
Next one: knitting. Here’s where all those predictable clichés come out in force. Because if you were to believe in what stock libraries have to offer, you’d have to conclude that knitting is for old frumpy pensioners in rocking armchairs. Therefore, a story on young trendy mums meeting in gastropubs to knit and chat simply cannot be illustrated by a stock image.
And don’t even get me started on corporate photography. Or rather, don’t get me started on images with keywords ‘meeting’ and ‘office’. Seriously, have you ever been to a meeting, mr stock photography? Do you really think that all meetings involve extremely good-looking people in blue shirts, pointing at a laptop screen or shaking hands or gazing at a whiteboard graph?
I recently needed an image to illustrate a story about tackling challenging meetings. The choice was between a group of happy suits gazing at a graph/laptop/whatever else or a room full of snoring office workers. All looked very corporate because yes, in real life meetings only involve airbrushed 30-somethings in Armani suits, sitting in sterile air-conditioned office towers.
Stock photography now appeals to a much wider audience, the rules have changed a bit. It is no longer just a repository of clinical images for brochures and PowerPoint presentations, or at least it shouldn’t be. Media outlets use stock images to illustrate their content because it’s cheaper. This creates more demand for more original imagery. Stock photographers must start thinking like journalists to differentiate. There is no point reproducing the same old crap – find out who your audience is and do some research on what works for them.
I know there are people who probably make a fortune on those clinical corporate images – and I agree there is and probably will always be a market for those. But budget cuts and/or smarter thinking have forced many newsrooms to rely on cheaper alternatives. Therefore standing out in a sea of blandness is the only way forward.
Maybe the new Flickr-Getty deal will provide editors with more ‘real’ images? But I should deal with that can of worms in a separate post perhaps…
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- Getty taps into Flickr snappers (news.bbc.co.uk)
Posted in photography, photojournalism
Also tagged Getty Images, Image, photography, Stock photography
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