Tag Archives: London

The miniature world of London commuters

During my visit to the London Transport Museum in Covent Garden last Friday I spent some time photographing the fascinating world of miniature tube stations and tiny commuters.

It all looks rather eerily empty and Alien-like, although if my commute every day was that comfortable, I really wouldn’t mind.

See the whole gallery below (may take a few seconds to load) or on my Google+ profile here.

P.S. Here’s the real reason why I visited the Museum in the first place.

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Lord Mayor’s Show – behind the scenes

The annual Lord Mayor’s Show took place last Saturday. You may have seen the images of the parade or the fireworks display already. I managed to take some images of those who took part in the parade, but not during the march – during the break. Call them “behind-the-scenes images”.

So while the musicians retuned their instruments, kids munched on their crisps, exotic dancers entertained the bystanders, the numerous Worshipful Companies’ members stretched their legs and the Queen’s horses deposited large amounts of manure all over Aldwych, I grabbed a few images of them all.

The whole album is available on my Google+ profile, click on any of the images here to be taken straight there.

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Something for the weekend: London Bus Tour

Currently my favourite London video. Shot on a Sony HD camera with a homemade 35mm adapter.

Moritz Oberholzer, the author of this video, spent 30 hours over several days filming the footage from various London buses. The resulting video is very simple, but mesmerising and nicely edited.

The whole project reminds me a bit of the From the Upper Deck project Przemek Wajerowicz has been working on for years now. Who knows, maybe one inspired the other?

Thanks Natalie for the link.

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This week’s favourite – plus what I’ve learned

Click for bigger version

I’m pretty sure I’ve seen many better pictures taken in this location under the railway bridge in Southwark St in London. But I couldn’t resist taking one there myself today.

Also, today I was reminded that it pays to check you’ve got everything you need before you leave the house. Because carrying a heavy tripod for several hours doesn’t make much sense if you leave the tripod head’s attachment bit on the table at home…

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Photographing actors – my mini photo essay

Recently I was asked to photograph actors during a rehearsal for a new play called “The grammar of love” at the Oval House Theatre in south London. It was an exciting opportunity as I had never worked with actors as a photographer.

My very good friend, Nuala O’Sullivan, who wrote the play, wanted the images to be in B&W. Mostly. That was the brief. The rest was up to me.

The biggest challenge was the space. A small rehearsal room painted black, with very harsh fluorescent lighting. Small and therefore very intimate too. Which was good for me, but I wasn’t sure how the actors would react to having a lens in their faces pretty much all the time.

Well, I’m glad to report they coped well. The constant clicking didn’t distract them, they didn’t fluff their lines, although I had to give up using flash as that proved too much in a small confined space like that.

The other tricky bit was the fact I saw only a few crucial scenes, but not the whole play. So I had to work out who the characters were and what the chemistry between them was.

But more importantly, I also had to remain one step ahead of them. In such a small space, without a prior knowledge of the script, I had no idea where they would move of what they would do next. There were a couple of moments when I had to beat a hasty retreat when an actor lunged towards me unexpectedly.

I guess it was more stressful for them than it was for me – after all they couldn’t stop mid-sentence to let me know they were about to move my way. But a great learning experience for me. I’m sure seasoned photojournalists deal with such situations on a daily basis.

I was wondering whether to say much about the play itself, but I won’t. All you need to know is that it takes place in Tokyo and passions run high… I’ll let the images speak for themselves.

However, I had to withhold a few shots in order not to give away too much – I don’t want to spoil it for Nuala. Or you. With a bit of luck, the play should open at the Oval House Theatre this autumn. And you should definitely see it then.

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London Street Photography at the Museum of London

As soon as the medium of photography was invented, people started taking photographs in the street. Mind you, initially they didn’t have much choice. The first cameras were so bulky and exposure times so long that it perhaps made sense to stand in the middle of London and take advantage of natural light.

And indeed, the first images you see when you visit the superb “London Street Photography” exhibition, which has just opened at the Museum of London in the City, are quite blurry thanks to long exposure times. It’s fascinating to see that, in terms of the subject matter, what London-based photographers and visitors to the city upload to Flickr or capture via Instagram in 2011 doesn’t differ that much – broadly speaking, of course – from what the forefathers of street photography captured 150 years ago.

The crowds, the buzz the city generates, the odd characters, the various social classes and behaviours have always attracted crowds of people wanting to capture all that for posterity. This hasn’t changed much. But what has changed is the perspective.

The 19th century “early adopters” documented the city itself – its vastness, grandness, its architecture and vitality. Some of them also already tried to document certain aspects of London’s life. As you progress through the exhibition you notice how the focus shifts from large scenes to more intimate moments, where London – while still recognisable – defines and shapes the subjects and their behaviours, but doesn’t dominate the scene.

I’m still mesmerised by a mini-collection of images by Wolf Suschitzky. There were just three images of Charing Cross Road he took in 1937 and I absolutely loved them. Make sure you spend some time listening to Suschitzky himself, who talks about street photography in a video played in one of the rooms.

The Museum of London has collected these street photographs over the years and eventually decided to share some of them with the wider public this year. Strangely, many people didn’t even know about this exhibition, which is a shame. But it’s open till early September, so there’s plenty of time to visit. Do so.

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London in 80 gigapixels – meet Jeffrey Martin

Image by Jeffrey Martin, www.360cities.net

My prayers have been answered. London eventually got its first decent gigapixel image this week. You’ve probably already seen what its creator calls the biggest spherical panoramic image in the world at the moment, the 80-gigapixel picture of London.

It’s an amazing achievement. The level of detail is incredible – you can clearly see individual faces in the street, peer into cluttered offices and count the number of tourists in each of the London Eye’s pods.

Jeffrey Martin who created this image, and who runs 360cities.net, took some time out of his very busy schedule to answer a few questions for this blog. Here’s what he had to say about the image, but also about his other projects, including 3D and timelapse panoramas:

First of all, explain how you took the image(s) and how you worked on the final picture.

I took 4 panoramas (about 30 gigapixels each) from each corner of the Centrepoint skyscraper in London and stitched them teogher into a single 80 gigapixel image.

Many people cannot really imagine such a gigantic image. Could you explain what 80 gigapixels mean in the context of this project.

80 billion pixels is the equivalent of 400,000 x 200,000 pixels. A normal camera might give you a picture that is 4,000 x 3,000 pixels. I joined nearly 8000 images together. If you took this image to the photolab and printed it like you print your holiday photos at the photolab (or on a good inkjet printer at home) the image would be 35m x 17m in size – and not a billboard, which is just dots when you get close to it. this would be something you could press your nose against and still see detail.

So the next obvious question would be about your gear…

I used an 18 megapixel SLR camera (Canon 550D, but they didn’t sponsor this image) and a 400mm lens. I used the 18 megapixel SLR because it has the smallest pixels (highest pixel density) of any digital SLR on the market, allowing the largest possible panorama in terms of pixel count.

I’ve written about many other gigapixel images before – it all started with Dresden and Paris, then there was Dubai and Budapest and many others. Did they inspire you in any way? What did you think about them?

I made another world record image last year, the Prague Gigapixel – http://www.360cities.net/prague-18-gigapixels at about the same time, the Dresden image came out, larger but not a 360. The Paris image is wonderful. Holger who made the Dresden image, and Alexandre Jenny (and his colleagues from Kolor) who took part in the Paris image I have met a few times. They are all great guys, once or twice a year we get a chance to meet at a panoramic photographer conference, and we get to talk about all this geek stuff :)

What was the most challenging part of the project?

The stress of not knowing if this was going to work at all! These other world record images were shot from a single point, and from that standpoint were much more straightforward to do (I won’t use the word “easy”) ;-) This image was shot from 4 quite different viewpoints, but the subject matter was mostly quite distant, but still the way to get them to fit together well is one of my trade secrets I guess.

Image by Jeffrey Martin, www.360cities.net

So we’ve had panoramic images, spherical panoramic images, what’s coming next? 3D? Interactive panoramas?

Some people call spherical panoramas “3D” which they are not – they are 2Dphotos on a spherical surface. You can have 3D spherical panoramas also, and we have some on 360cities.net: www.360cities.net/search/anaglyph (you need red-blue 3D glasses to see these) It is geometrically impossible to make a completely spherical anaglyph panorama because when you look down the 3D effect breaks. But it mostly works. I personally don’t like to wear these red-blue glasses. Until this can be shown without any glasses, I think it is kept to a very tiny niche.

I have dabbled in timelapse spherical panoramas – back in 2005 when I had more time on my hands. I shot 6 spherical panoramas from the *exact* same spot, every few days, for a whole year – there was even a flood! You can see them here. You need the adobe shockwave plugin to see these, and your browser might crash – but it’s worth the risk ;-)
http://www.vrlog.net/2007/11/timelapse-panoramas/

It’s fascinating, but tell me a bit more about 360cities.net

I founded 360cities with my brother David, 4 years ago. It grew out of a local project called Prague360.com which I worked on with the supremely talented designer Adam Trachtman (of www.lucidcircus.cz)

After we made the Prague site, google maps came out and we thought “hey, we can clone this for anywhere in the world” so we did just that. I invited other panoramic photography enthusiasts to publish their own images, and it started with 7 cities. And it grew from there. In 2007 we received Angel funding, and it became my full time job (more than fulltime – running a startup is crazy!)

I can imagine. What’s next for you and for the site then? Which city is next and are you hoping to set another world record?

I’d love to keep making world records, it’s fun :-) Next could be Mumbai, or NYC, or Istanbul. Who knows? You’ll be surprised!

All images in this post © Jeffrey Martin, used with permission. Thanks to @anniemole for help

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Weekend at the museum

v&aLast weekend was one of those rare occassions when I ended up in a museum.

The V&A to be precise, one of my favourite places in London.

And it was my first visit there with a good camera. We went there with friends to see the newly opened ceramics section and I have to say that taking pictures in low-lighting conditions with a camera that produces great images at  ISO 3200 with no visible noise is a real joy.

I’ve posted some of them on my Posterous and enjoyed a lot of traffic to the post, which is great.

By the way, Posterous creates simple galleries from multiple images, pity they don’t com with an embed code yet…

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